Charles
Tidler’s Hard Hed, a retelling of the Johnny Appleseed story, deftly moves back
and forth through time, from the early nineteenth century right through to
modern times. It is a novel in
five books. Each book is unique in
style and tone and together these individual sections form a compelling whole.
Book
one is a soldier’s diary of the battle of Tippecanoe in 1811. Accounts of hunting, fishing,
daily allocation of rations and weather reports are punctuated with scenes of
murder and ambush. Tidler’s contrasting of mundane daily ritual with violent
skirmish heightens the sense of horror at a genocidal campaign that forced many
surviving Native Americans out of the Indiana territories. Tidler has a gift
for inventing details that feel authentic and immediate. In this respect he
commands his readers’ attention as few fiction writers can.
In
book two we move to a contemporary setting. We are introduced to Hoosier
Chapman, descendant of Johnny Appleseed, distant relative to the homicidal
General Linkhorn introduced in book one.
Tidler’s mastery of prose is evinced in descriptions of the Indiana
landscape i.e. “Red barn. White
farmhouse. Rectangle of freshly
mown sunshine.” Hoosier with
“mouth and lips a rainy branch of apple tree blossoms” has just been released
from prison for planting apple trees illegally. Traveling by bus through Indiana, the affable Hoosier meets
beautiful university student Nancy Miami who declares herself “100% Indian,
according to my daddy”. A romance
ensues. The bus is torn apart by a
tornado. Hoosier survives in the
first of a series of narrow escapes.
Nancy is later murdered. In
this section of the book there are thrilling shifts from realism to fantasy. Tidler makes sublime transitions from
scenes of sordid violence to scenes of sensuality and tenderness. This is muscular erotic prose, brimming
with vitality.
The
novel shifts back in time again to the Indian wars and the evolution of the Klu
Klux Klan. We are introduced to Xerxes Chapman, purported cousin of John Applejack. Xerxes lives off the land. In book three, a sharp contrast is
drawn between the Native Americans’ and Xerxes Chapman’s reverence for the
natural world and General Linkhorn’s vicious campaign of wonton destruction and
brutality. Yet In the face of this hard-edged subject matter there is sheer
poetry. Rarely is prose
simultaneously so visceral, yet beautiful. Book four shifts back to a modern setting. Cruelty
towards ethnic minorities persists. Hoosier Chapman who plants apple trees is also seen as a
pariah.
The
language in Hard Hed is poetic yet concise. Each sentence is exquisitely,
meticulously crafted. Tidler
evokes his Midwestern roots with vivid descriptions of the Indiana landscape
and the people who populate it. The
final book depicts a rebirth, a fitting metaphor for Johnny Appleseed. Hard Hed
is an inventive, exciting novel that warrants multiple readings.

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