Persepolis, Marjane Satrapi's graphic novel of
growing up in Iran grabs you by the throat and doesn't let go. The memoir
has more recently been adapted into a feature length animated motion picture.
Satrapi tells the story of her life from age six to early adulthood,
commencing with the overthrow of the Shaw of Iran, the Islamic revolution that
followed, the war with Iraq and Satrapi's subsequent European exile from her
home and family. Despite the harrowing subject matter this story radiates
warmth throughout and the author digs out offbeat humor whenever she can.
Satrapi achieves the delicate balancing act of
being both intimate, as an autobiography should be and panoramic in scope in
dealing with the ways peoples' lives can irrevocably change when governments
subvert their beliefs. Childhood and adolescence are fraught with
universal desires that have little to do with government decrees.
Throughout her book Marjane remains resolutely human. She is
anything but a rote comic book heroine. She is not always wise, she is
often off track and that makes her all the more recognizable. This is
what makes Persepolis such an infectious read and it is not surprise the book
has already proven popular with adolescent girls throughout the world.
The images in both film and graphic novel are
rendered in black and white punctuated with various shades of grey. They
are stark, elegant and consistently involving. There are cheeky pop
culture references throughout the book and film. In the film's score
there are playful off-key renditions of "Eye of the Tiger" and the
theme from Rocky. Young Marjane loves Bruce Lee, Nikes, and Iron Maiden.
Through her childhood and difficult adolescence, she grapples with
horrors few westerners could comprehend. As much of the novel is told
from a child's partly comprehending point of view, reactions to such strictures
as the veil are often visceral and this proves an effective means of what went
wrong in those years. It also compellingly conveys how a child's sense of
injustice can evolve into an adult sensibility.
Reading Persepolis, one is made aware of many
Iranians who don't embrace the restrictions they are made to live under,
particularly the women. Yet the book never tries to be an Iranian history
lesson, the author is more concerned with how people try to live ordinary lives
in extraordinary circumstances. Satrapi's strong family ties are conveyed
warmly. She is close to her secular leftist parents who campaign
ceaselessly for change and find their relatives tortured and imprisoned.
She is even closer to her witty and pragmatic grandmother.
Persepolis should bridge the gap between those who read graphic novels
and those who do not. It is also a resonant, universal coming of age
tale with a heroine who is smart, loveable, deliciously funny and full of
gumption. In the face of geopolitical upheaval Persepolis is unfailingly,
robustly alive. This sturdily poetic novel full of difficult questions
and uneasy answers. Persepolis renders in black and white a world that
never is.

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